Inverse Snobbery

We have a bit of a problem in the hobby at the moment. Well, online we do, and it’s ridiculous. Look at this –

Inverted Snobbery

So what’s the need for this? It simply annoys and alienates many people who might be in a position to help you.

The ‘rivet counter’ term is so tiresome – jokes about rivet counters, “here’s one for the rivet counters,” “this’ll upset the rivet counters,” you get the idea, just aren’t funny. It’s like watching the creepy guy in an office who tries to make flirtatious comments towards his female co-workers – just cringe worthy. Sadly, it seems that increasingly it’s a term used to attack those who wish to strive for higher levels of accuracy and realism. It’s silly really and there’s no need for it. In other hobbies and interests I have been involved with, there’s none of this. With cars I’ve never seen someone telling someone they shouldn’t aim for more power from an engine from tuning or telling a cricketer they have no right to aim to score even more runs.

This video appeared on YouTube recently and was shared to numerous groups on Facebook. Interestingly it did not meet with the “I agree” comments that perhaps the one sharing it expected. (Bear in mind the channel has adverts so watching it’s likely to be making money for its creator.)

There have always been keyboard warriors since the internet was created – you’ll never get rid of them. But my issue is with his use of the term “rivet counter” when referring to those with knowledge. He knows about headcodes, why not share this knowledge at exhibitions? Be polite and share knowledge, there’s nothing wrong with this.

But never tell someone not to strive for perfection – if you want to strive for perfection, do it. If you want work in the finer scales, do it. If you want to work in Lego (and some of the Lego railways and trains are amazing!), brilliant! Model what you want, enjoy your hobby! We shouldn’t tell anyone what or how to model, but we really should encourage people in their chosen scale and standard and share the knowledge we all have, whilst being polite and courteous.

Back to the first picture – why not simply ask the question instead of trying to be clever? One of the hardest things in life is accepting that some people will better at some things than you, have more knowledge, be better looking, more talented, etc., than you. If you’re willing to listen and learn, you can benefit hugely.

Pendon

Pendon

Earlier this week I went to Pendon Museum with my dad and the boy. Thomas, incidentally, loves all things Great Western – quite what I did to create this I don’t know, would it be wrong to disown my own son because he likes the Great Western Railway? But on a serious note, its good that he’s developing his own interests as it shows he’s interested for him, not just to appease or please his dad or grandfather.

This means, of course, that Pendon is right up his street! And because this is Pendon, it is a very finely crafted street!

The timber viaduct across Dartmoor.

Pendon has lead the way in railway modelling for sixty years now – the level of detail and finesse in all of the models is so great that it means that after so long, the main scene, which is based on the Vale of White Horse, still isn’t finished yet. The founder, Roye England, was something of a visionary – the first building was constructed from scratch in the nineteen thirties and is still better than what many of us could achieve now! And he wanted everyone who contributed to attain similar high standards – this ethos means every item, absolutely everything, is made to the highest standards. The result, is something very special.

The depth of the layout here is about eight metres, most of us are happy for this sort of dimension for the length of a layout!

If you’ve never visited Pendon, then you should. You really should.

Last year we came just after my dad’s diagnosis of prostate cancer, so we felt almost like we had to make an effort so we didn’t miss the opportunity. But this year, as he’s in remission we went back back without that worry. But I did wonder why didn’t make the effort before – it involves about seven or so hours of travelling and this is well worth it, despite it making it into such a log day.

A Garden Shed – if anything sums up the attention to detail and the sheer amount of effort which goes into producing every single item at Pendon, it is this.

And I absolutely love Pendon.

I’ve spent years admiring it through the pages of books and magazines – when I was a small child one of my dad’s books featured a small number images of Pendon I remember being in awe whenever I looked at one photo of one of the Kings, which was the work of Guy Williams, crodding the timber viaduct which dominates the Dartmoor scene at the museum. As I grew older I became aware of what Pendon was – it did seem like something almost other worldly at times but also something achievable as I saw how many of the models were built from simple materials. I’ve spent years reading all that I could find that Guy Williams wrote about loco construction too. Model Railway Journal, itself known for being progressive and pushing for higher standards, has featured Pendon many times too.

The Chequers Inn – one of a selection of buildings on display ready to be installed.

It may seem that the nineteen thirties’ rural expanse at Pendon and building steam locos is a world away from the grotty, industry scarred spot in North Lincolnshire in the early nineties but – and it’s a massive but, a but the size of a small African country – there is something for all railway modellers, regardless of what they’re modelling, to learn from visiting Pendon. And the first time you visit, you will be blown away by just how huge the Vale scene is too!

Pendon Parva Signal Box

Pendon is a special place.

If you’ve not visited before, make it your aim to visit and be inspired! And if you have visited, make it your aim to go back and be inspired again!

Pendon Parva Station

Nothing Always Goes to Plan

Bugger.

Painting 56044 didn’t go quite to plan…

Masking tape lifted some if the paint – I’ve not had this happen in years! Maybe the surface of the primer had a bit of grease from handling? Certainly the paint was dry and set – it’s been far too long since I have done anything with this one.

Who knows… The area was rubbed down with a fine Garryflex block to flatten and smooth the edges before respraying the affected area with Precision Rail Grey. Now it’s done, you’d never know there was ever a problem!

‘Iron Ore in Britain’

Iron Ore in Britain

There is an absolutely delightful and beautifully shot documentary available on the British Film Institute’s website. It was sponsored by Stewart & Lloyd’s Iron & Steel Company and gives a fascinating insight into an industry which has completely disappeared in the UK.

Dragonby Mine

The North Lindsey Light Railway owes its existence to ironstone – that in North Lincolnshire, whilst low in iron content, was self fluxing making smelting simpler as it didn’t require additives (limestone, which binds with silica and other impurities to remove them from the iron) to act as a flux. Denser foreign ores saw the end of locally mined ironstone at Scunthorpe.

About eight minutes in there is a short section about Dragonby Mine, which the NNLR served. Mostly hidden from the world, you could be excused for not even realising that the mines existed north of Scunthorpe. Though even now they contribute to Scunthorpe Steelworks, water pumped out of the mines (here and at Santon) supply water to the works.

Taking Ironstone from the quarry face.

The rest of the film is a real insight into the subject of ironstone mining, quarrying and the railways which served them. It’s well worth taking the time to watch – you can find it here.

Fifteen Years Ago Today – Class 56 Finale

York, 31st March 2004, 56078 and 56115.

Fifteen years ago today, Pathfinder Tours’ The Twilight Grids ran on 31st March 2004, the final day of class 56 operation. We know that some companies have used class 56s in recent years (I signalled one at work a couple of weeks ago!) but it’s just not the same, is it?

56083, Barnetby – just how we like to remember them.

The Hybrid Class 47

Despite the various newer versions on the class 47, I still really like the Lima model. The work Gareth Bayer did with them was an inspiration, and continues to be so. Of course I have used the Heljan model too (see Model Railway Journal no. 258 and here) and the Danish model runs beautifully, but it does have its problems as we well know – but what if we combined the two? And maybe refined it all with Penbits bogies and lots of Shawplan parts? Well, 47206 is the result of this collection of parts.

Recently I’ve seen people online saying there’s no point in rebuilding older examples of ready to run models – well I think these people are wrong. With the right starting point, by carefully choosing one which is good and dimensionally accurate, you can achieve something which is better than the newer RTR items. It needs practice of course, but no one is born with a soldering iron in their hand, are they?

It might be a big claim that we can make older models into models which surpass the newer crop of models, but what I can confidently say is that we can make them to a higher spec – and the beauty of this approach is you can make them to the exact specification to suit your own needs. Want fully sprung running gear in P4? No problem. Want to build the underframe to fit your preferred speakers for sound? Easy. There’s a lot to be said for making your own things. Even if suggesting others do so brings an odd form of aggression… This project is all about making the best of all we have available to us and, hopefully, really capturing the feel of the real thing. This particular model combines the beautiful tooling of the Lima body with a smooth and heavy chassis – the ideal combination I think.

This model is 47206 as it was in 1992, before it gained its The Morris Dancer name. This is nondescript RfD loco, nothing special, nothing out of the ordinary. Exactly the sort of thing which we remember from watching trains back in the nineties.

The front of the loco, freshly painted and the glazing fitted.

The Heljan chassis runs very well, even if it is a bit heavy of current. In its unaltered form, the A1A-A1A wheel arrangement suits EM and P4 standards very well with that little bit of flexibility where some all wheel drive diesel models can struggle, even in 00 from what I’ve read. So you could easily retain its mechanical arrangement as is but there’s one huge problem.

It’s too wide to fit the Lima body!

This is where our friend Mick Nicholson came in. Mick is well known as both a historian and railway modeller, as well as another signalman, though no retired. I guarantee that you will have seen a layout at a show featuring his signals. The Gresley Beat immediately comes to mind. He has machine tools too!

He kindly agreed to modify the chassis block for me – this entailed taking off 0,5mm/20 thou off each side.

The chassis which Mick very milled down for me – notice the holes he has drilled in the casting to allow it to easily be mounted on the table of the milling machine.

I finished off the chassis by filing the ends to fit the cabs/ends of the body – you could probably achieve the whole thing by using files, but milling it is undoubtedly quicker and neater. Mick made a superb job of it too – the body pitted beautifully as a result. And then the fun really began!

Unlike the first Lima rebuild, 47294 the body required the buffer beams and associated valances to be removed as the chassis would retain these – all the time it needed checking against the chassis to ensure a good fit which looked ‘right’ at the same time. Very little work beyond removing the centre lugs inside the body was required to make the body fit the chassis, the outer lugs, below the body side windows actually engage in gaps in the Heljan chassis!

The body being test fitted to the chassis – you can see the new parts around the cabs quite clearly.

The body is actually a toy fair purchase – one of a pair I bought on a whim. Though once work started, it was actually a little rough beneath the ridiculously thick BR blue paintwork so the surfaces required more prep work before painting than I would have liked but the body was one of a pair bought for three pounds. Three quid!

Although I’ve covered the work on Lima bodies before, I think it’s worth explaining it again. The Lima cab window frames are terribly heavy and spoilt things so they need to be removed. Completely. The cab side windows are too tall, but this is easily sorted – the corners require squaring off a two strips of Plastikard reduce the height of the opening. 20 thou at the top and 10 thou at the bottom.

The new cab details can clearly be seen – the window frames, handrails, light surrounds and new headlight.

The nose requires ‘flattening’ slightly, a Jim Smith-Wright suggestion – this helps improve the face of the loco significantly. It needs only doing slightly – use photos as a guide to gauge how much you need to do.

The Lima model does have another issue in this area. The horn cowling leans back, rather than leaning forward. Cut as close as you dare behind the moulded louvres with a piercing saw. The isolated piece is then angled forward, gently, a little at a time and pieces of Plastikard wedged in behind it. Once in about the right position, the packing pieces need to be solvent welded in place – after they’ve set, they can be cut back and everything sanded smooth with a bit of filler to tidy it all up. It makes a huge difference.

Shawplan’s window surrounds are etched in very thin stainless steel so need to be handled very carefully but they do make a huge impact to the overall look – thin superglue holds them in place without risking clogging the detail. The most critical thing is to make sure the windscreen surrounds are added symmetrically, otherwise the model will forever look like it’s winking at you! Take care to make sure the various windows sit at the right angles and in the right plane, it all helps capture that elusive character. I’m actually building a 7mm scle/O gauge class 47 from a PRMRP kit for the Railway Museum at the moment and when you’re presented with flat etchings for the various parts, this is when you realise how complex diesels are in terms of the various angle, complex and compound curves which help define their look.

Handrails were added next, in the same way as the previous class 47s – even on newer RTR models, replacement handrails can make quite a difference, but here, replacing the moulded items is a must. I really like using 0.3 mm nickel silver wire from Eileen’s Emporium. The headlights came from Replica, these are absolutely superb mouldings. I was dissatisfied with the plain lights on my original Lima conversion at the number one end so I reamed the lights out to take a suitable sized tube of Evergreen tube which itself was reamed out to leave a thin wall of it to represent the rubber surrounds that hold the glass lenses in place – at the number two end the marker light surrounds came from a Shawplan etch. It’s little details like this which really do help us capture the feel of the real thing, all the little variations and quirks that real locos have.

It would have been quite easy to keep the chassis pretty much as it came or use the simple upgrades I described in MRJ 258, however this wasn’t going to be one of these projects. Oh no! I like to complicate things!

The underframe jig – this made things much quicker and easier.

Instead of adapting the existing underframe mouldings I decided to scratch build my own underframe. Why? I’m not sure now but it seemed to be the best way to proceed and having heavily modified the Lima underframes previously, this isn’t such a leap – Gareth’s method can be adapted for this sort of project. So instead using parts of a moulded underframe this requires the framing to be built around its own false floor. It also needed the water tanks to be built from scratch.

The basic underframe assembly – these are the water tanks awaiting the Lima battery boxes.

The jig was used to make the various parts required for the tanks – Gareth’s original from UpDate gives a good overview of what’s needed. The basic dimensions can be checked from drawings but photos and educated guesses helped get things to the right shape and angles. It’s not high fidelity stuff! But it works, well I hope it does!

Test fitting one of the battery boxes.

I used Lima battery boxes as they’re very good, better than anything I could make in any reasonable amount of time anyway. It’s really just an exercise in simple scratchbuilding, an extension of Gareth’s original method.

The unpainted underframe.

The pictures speak for themselves really – you can see how the whole thing goes together. Though, to be honest, I’m not overly satisfied with it. Seeing what Jon Hughes has done with Bachmann mouldings got me thinking. Given how helpful Bachmann’s spares department is, it shouldn’t be difficult to get spare mouldings for the full tank versions. Given how good Jon’s looks, though he is a very talented modeller, then this may be a better way to go for future models? That’s for the next one, but click here and be blown away by Jon’s model! He’s ridiculously talented!

Once in primer the underframe doesn’t look too bad – it was airbrushed rather than from an aerosol to avoid clogging any of the smaller parts – unfortunately it was only after it had been painted and then weathered that I realised I’d forgotten the gauges on the side of the tanks. Perhaps a reflection of how I wasn’t truly convinced by my chosen method? Too late for 47206 though.

The completed underframe in primer.

One area of the project I was very pleased with running gear.

My liking of Penbits parts should be quite obvious from other projects. Ian Penberth’s kits are absolutely excellent, they go together beautifully. In the case of this loco, the new brake gear makes a huge difference – the Heljan bogie sideframes have rather poor and basic brake details. One way to deal with it is to remove much of it, its absence actually improves things. However the Penbits’ brake gear is absolutely superb. I did reinforce the brake gear at the outer ends to help it withstand handling and the occasional knock as well as my natural clumsiness! Apart from this I built it exactly as the instructions told me to do so. If only other kits were as user friendly as this!

Penbits Sprung Bogies -the complete unit on the left and, to the right, the three main subassemblies.

Inside of painting it I blackened the whole thing with Birchwood Casey Gun Blue, it gives a lovely, very dark grey finish which has a slightly warm feel to it which is a perfect base weathering. Plus it doesn’t clog any of our nice fine details!

Bogie Pipework – a cruel close up!

Speaking of details, the bogie pipework makes a nice addition, even though it’s a real faff at times – worth the effort I think. Little things like this make a real difference – even more so when all the little touches start coming together. But you can’t rush them. So a good hour or so bending 5amp fuse wire to shape and carefully attaching it to the sideframes – tiny bits of 5thou Evergreen styrene sheet represent the brackets very well. Thoughts of bolt detail sensibly went out of the window, though inside the loco this sense didn’t prevail! But the final parts to be added to the bogies were the foot steps. I had considered using the PH Design steps but I worried how well they’d stand up to handling, so the Heljan steps went back on. A little bit of work with files improves and sharpens up their appearance rather nicely.

In Primer.

Where sense didn’t prevail was in the cabs.

I decided to improve the depth of the cab interiors, the false floor is very obvious through the replacement windows. It used most of the Heljan cab interiors, desks, rear walls and seats. When I sent James the photo of them first sorted, he jokingly asked where the power and brake handles were. The next day he got a photo of them in place! It was a joke but the result is very pleasing. The Modelu figure’s hand lines up with the controls very nicely too and it can be seen easily on the finished model too.

Cab Interior – not the loco controls!

There’s nothing really unusual about the finishing of the loco – nothing I’ve not described before. I worked from photos of the loco as it was in the summer of 1992. Flickr is an excellent source! I just wanted to create something of the everyday, nothing special just a typical RfD machine, albeit with oddly spaced numbers!

Given how I’ve seen so many people dismiss older models as not worth the effort – people often seem to focus on the new rather than the best starting point – I do hope that this project is so. It’s got a spec and refinements in excess of most RTR models and it’s tailored to my own preferences.

But most importantly, does it capture the feel of the real thing?

The completed loco – a very everyday, nondescript RfD loco. Nothing special, nothing out of the ordinary, but what would we give to see these running like this every day now?!

Duff Progress

Just about there – does it capture the look and character of a class 47?

Nearly there with the hybrid class 47!

This is made from all sorts of bits and pieces – a much modified Lima body which has had its nose reshaped and the horn grille remodelled along with a lot of Shawplan parts.

A broadside view showing the scratch built underframe which also uses Lima battery boxes.

The chassis is a Heljan one, which has been milled to allow the Lima body to fit, and it runs on Penbits sprung bogies – these also feature full brake gear too.

A Modelu driver completed the cab interiors to which I fitted new power handles and control handles!

Now, weathering!

Antex

Just a quick post regarding Antex.

I think most of you will know the name and be familiar with their bright yellow soldering irons.  I’ve just bought one of the ‘Lite’ 100 watt irons – unfortunately a 40 watt iron arrived. An e-mail to Antex and the next day I received a reply apologising for the error. It also said the correct iron had now been dispatched and a pre-paid envelope would be included for me to return the first iron. Sorted so easily, many other companies could learn from this.

Brilliant customer service!